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Back from Cali

OK, I got back from California a few days ago, and will be hopefully putting together a new mix or two very shortly. I was thinking of doing a Skream tribute mix (since he’s my favourite producer of the last couple years, and he’s involved in two new albums at the moment) – any thoughts, anyone? Or should I do ‘Cold World’, my old skool techstep mix, first?

In the meantime, for those of you who enjoyed Hang Ten, you might be interested in an interview that Matty G recently did with MTV UK. An excerpt:

TWU: Your music seems to have a very minimal and simplistic approach, but very effective and bass influenced. Do you think you’ve found the best formula to writing dubstep? Wouldn’t you like to mix things up with maybe more vocals, synths etc?

Matty G: I do love the minimal approach. Part of that is by choice, but also out of necessity. I really fell in love with early dubstep, which was very minimal, so I’ve kinda held on to that style by choice. For a long time though, regardless of what I wanted to do, I was limited by the equipment I used, most of my releases were produced on an old iMac G3 in OS 9, for all the nerds out there [laughs]. It wasn’t really able to run synths, so most of my tunes are sample based, which has helped shape my style. I’ve since upgraded and have begun to incorporate more instrumentation, but still like to keep it minimal and rely on samples for the meat of the tune. As for vocals, I had quite a few vocal tracks on my album ‘Take You Back’ and I have to say, mixing them down was the most difficult task I’ve undertaken as a producer. I would like to continue working with vocalists, but have been on more of the instrumental tip lately.

TWU: Who would you consider your main influences in writing music?

Matty G: Wow! That’s a tough one [laughs]. There’s so many that cross a wide spectrum of styles. I’m a huge fan of old soul, R&B and reggae and each of these genres has multiple producers I admire. Lee Perry, King Tubby, Isaac Hayes, Curtis Mayfield, Phil Spector, James Brown, they all have influenced me in different ways. As far as hip-hop, I would say the founding members of NWA, especially Ice Cube and Dr. Dre, those are the most obvious and it almost sounds cheesy, but kids were bumping the hell out of ‘The Chronic’ and ‘Predator’ when I was growing up. I definitely got mad love for the East Coast too though, Wu-Tang and Mobb Deep taught me that beats can be minimal, dirty and still be bangin’. Early Ed Rush and Trace back in the ‘No U Turn’ and ‘Lucky Spin’ days, that is what I draw a lot of my electronic influence from. They used quite a few hip-hop samples themselves and created a musical vibe that was just straight up dark.

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Pearsall presents Hang Ten

Pearsall presents Hang Ten

right-click on the title and save as to download

Mixed in Edinburgh, August 2010
(24:46, 45.5 MB, V0 VBR MP3)

Zip pack (cut into individual tracks)
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Cue file

Style: Dubstep (a tribute to California’s own Matty G)

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Speaking of guest mixes

A few days ago I mentioned that I will be hosting a number of guest mixes in the coming months. One of them will be by Brisbane’s Tyssen, an old mate, who will be contributing a tribute to Pendragon, one of London’s most legendary hard trance parties. Until then, however, be sure to check out the great tribute to Dynamic Intervention that he posted to Bangingtunes over the weekend. If you were a fan of my hard house tribute mixes, this should be right up your street!

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Lots of guest mixes to come …

Just a quick note, but I’d like you to know that I’ve got a bunch of very exciting guest mixes planned for the next few months. Watch this space …

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Mixes

Pearsall presents Heartcore

Pearsall presents Heartcore

right-click on the title and save as to download

Mixed in Edinburgh, August 2010
(57:20, 104 MB, V0 VBR MP3)

Zip pack (cut into individual tracks)
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Cue file

Style: Classic, fast European hardtrance from the mid-90’s

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I live to give!

I love acid trance.

It’s great.

Really, I love it. A lot. And since I love it, I want you to love it.

Yes, you! You must learn to love acid trance! Or, well, your life won’t be complete (I promise).

But if you don’t know it, how can you love it?

Well, firstly, you can check out some of my own fine mixes:

Called To Valhalla
Eurotrash 3
Rampage Archives 1
Squat Rocking 1

They’re great! Honest …

Still not convinced?

Not to worry, I have a solution!

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Connections

There are loads of ways to connect with me across the net, so I thought it might be useful to round them up into one post.

First up, I should mention my other blog, which is called Randall Helms DOT com and is about social media marketing. At the moment, I am finishing up an MBA at the University of Edinburgh Business School, and the last stage of this process is writing a dissertation. I am looking at how consumer goods (or FMCG) brands can best use social media to engage with customers (particularly their core customers). As part of this process I have been doing a blog (somewhat intermittently) for the last couple of months where I have been discussing the issues raised in my research. If you are at all interested in the subject, it’s worth having a look.

Secondly, for the last few months I have been on Twitter using the alias @sonicrampage. Mostly I use it to post links to music-related stuff, whether mixes, tracks, or interviews, but I also talk a bit about other stuff. If you are interested, please follow me!

On Facebook there are two ways to connect, firstly through my group Pearsall’s Mixes, which now has more than 140 members. More recently I’ve added a second option, which is to become my fan. I use Facebook mainly for sending out updates about new mixes; occasionally I might use it for other purposes, but don’t worry, if you sign up to either, I won’t bombard you with spam!

Finally, in the last two weeks I have set up an account at Mixcloud, which is an online streaming music service. I’ve only uploaded a couple of mixes so far, but as you can see from the number of plays I’ve gotten, it’s not exactly been a success so far! Anyways, it’s always worth trying these things, and if I want to make it work I’ll need to rethink my strategy.

I guess a better avenue of self-promotion would probably be YouTube, but since I know nothing about making video, that’s not a path that I’ve actively pursued. Having said that, if you are experienced with making video and want to collaborate on a project for YouTube, drop a comment below and I’ll be in touch, since I’m curious to see what impact (if any) it would have on the site.

So there you go, lots of ways to connect with me across the web! 😉

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So, the people have spoken!

So, finally, voting for my next mix has finished, and the 81 votes break down as follows:

01. Heartcore (Old Skool Hardtrance) – 19 votes, 23% my next mix
02. Cold World (Techstep Drum n’ Bass) – 14 votes, 17%
03. Squat Rocking 5 (Acid Techno) – 11 votes, 14%
04. Beyond the Valley of the Acid Vixens (Acid) – 10 votes, 12%
05. There Must be a Future (UK Acid Trance) – 10 votes, 12%
06. Urban Takedown (Jump-Up Jungle) – 10 votes, 12%
07. Drop the Hammer 8 (Grime) – 6 votes, 7%
08. Now You’re Cool (House & UK Funky) – 1 vote, 1% which came from me, lol 😉

These are very interesting results, actually, which have a lot to say about who actually comes to this site and downloads my mixes. I’m going to chew over these for a few days and then post some longer reflections on this little experiment, but for the moment, I have to say that this has been quite eye-opening in terms of illustrating what people actually want from me (which is not necessarily what I feel like providing!)

Below the jump, check out the widget from Sodahead (the site I used to run the poll):

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Pearsall presents Summer Snapshot

Pearsall presents Summer Snapshot

right-click on the title and save as to download

Mixed in Edinburgh, July 2010
(51:06, 88.98 MB, V0 VBR MP3)

Zip pack (cut into individual tracks)
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Style: Dubstep

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Pearsall presents Rampage Audio 2

Villa Gamberaia

Pearsall presents Rampage Audio 2

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Mixed in Edinburgh, February 2002
(73:46, 117.22 MB, V0 VBR MP3)

My essay on Rampage!

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Cue file

Style: techno, hard house, and hard trance