{"id":5892,"date":"2026-03-29T10:32:39","date_gmt":"2026-03-29T09:32:39","guid":{"rendered":"https:\/\/sonicrampage.org\/blog\/?p=5892"},"modified":"2026-03-31T14:07:01","modified_gmt":"2026-03-31T13:07:01","slug":"pearsall-presents-the-bristol-rollers-appreciation-society-2-classic-90s-bristol-drum-n-bass-for-bass-scoops-radio","status":"publish","type":"post","link":"https:\/\/sonicrampage.org\/blog\/2026\/03\/pearsall-presents-the-bristol-rollers-appreciation-society-2-classic-90s-bristol-drum-n-bass-for-bass-scoops-radio\/","title":{"rendered":"Pearsall presents The Bristol Rollers Appreciation Society 2 (Classic 90&#8217;s Bristol Drum n&#8217; Bass for Bass Scoops Radio)"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/sonicrampage.org\/mixes\/brap\/Pearsall-TheBristolRollersAppreciationSociety2(BassScoopsSpecial)).jpg\" alt=\"\"\/><\/figure>\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/brap\/Pearsall-TheBristolRollersAppreciationSociety2(BassScoopsSpecial).mp3\">Pearsall presents The Bristol Rollers Appreciation Society 2<\/a><\/h2>\n<p><em>right-click, save as to download this free mp3 mix<\/em><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2287522283&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/sonicrampage\" title=\"Pearsall\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">Pearsall<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/sonicrampage\/pearsall-bristol-rollers-appreciation-society-2-bass-scoops\" title=\"The Bristol Rollers Appreciation Society 2 (Bass Scoops Special)\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">The Bristol Rollers Appreciation Society 2 (Bass Scoops Special)<\/a><\/div>\n<p>Mixed in Berlin, February 2026<br \/>100% Vinyl<br \/>(62:38, 151 MB, 320 kbps mp3)<\/p>\n<p><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/brap\/Pearsall-TheBristolRollersAppreciationSociety2(BassScoopsSpecial).cue\">Cue file<\/a><br \/><a href=\"https:\/\/sonicrampage.org\/mixes\/brap\/Pearsall-TheBristolRollersAppreciationSociety2(BassScoopsSpecial))ORG.jpg\">Larger Cover<\/a><\/p>\n<p>Direct link to the mix:<br \/><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/brap\/Pearsall-TheBristolRollersAppreciationSociety2(BassScoopsSpecial).mp3\">https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/brap\/Pearsall-TheBristolRollersAppreciationSociety2(BassScoopsSpecial).mp3<\/a><\/p>\n<p>Tracklisting:<\/p>\n<ol start=\"1\" class=\"wp-block-list\">\n<li>DJ Krust &#8211; <a href=\"https:\/\/www.discogs.com\/release\/9123-Various-V-Classic\">Maintain<\/a> [V Recordings]<\/li>\n<li>DJ Krust &#8211; <a href=\"https:\/\/www.discogs.com\/release\/834-DJ-Krust-Soul-In-Motion\">Going Nowhere<\/a> [Full Cycle]<\/li>\n<li>DJ Krust &#8211; <a href=\"https:\/\/www.discogs.com\/release\/15610-DJ-Krust-The-Flava-EP\">B-Boy Culture<\/a> [V Recordings]<\/li>\n<li>Alex Reece &#8211; <a href=\"https:\/\/www.discogs.com\/release\/15927-Alex-Reece-Feel-The-Sunshine-Remixes\">Jazz Master (DJ Krust Remix)<\/a> [4th &amp; Broadway]<\/li>\n<li>DJ Krust &#8211; <a href=\"https:\/\/www.discogs.com\/release\/26913170-Krust-I-Believe-Accepted-Meaning\">I Believe<\/a> [OKBRON]<\/li>\n<li>Roni Size &#8211; <a href=\"https:\/\/www.discogs.com\/release\/52154-Various-Versatility-Compilation\">Saturday<\/a> [Independent Dealers]<\/li>\n<li>DJ Cam &#8211; <a href=\"https:\/\/www.discogs.com\/release\/213678-DJ-Cam-Innervisions-Remix-Collection\">Innervisions (DJ Die Remix)<\/a> [Inflammable]<\/li>\n<li>Scorpio &#8211; <a href=\"https:\/\/www.discogs.com\/release\/1099148-Scorpio-Turn-Dance-Mellow-Song\">Mellow Song<\/a> [Full Cycle]<\/li>\n<li>Wings &#8211; <a href=\"https:\/\/www.discogs.com\/release\/135712-Various-Enforcers-The-Beginning-Of-The-End\">Wings<\/a> [Reinforced]<\/li>\n<li>Nuyorican Soul &#8211; <a href=\"https:\/\/www.discogs.com\/release\/103437-Nu-Yorican-Soul-Its-Alright-I-Feel-It\">It&#8217;s Alright, I Feel It (Roni Size Remix)<\/a> [Talkin&#8217; Loud]<\/li>\n<li>Bill Riley &#8211; <a href=\"https:\/\/www.discogs.com\/release\/42029-Bill-Riley-Closing-In\">The Edge<\/a> [Full Cycle]<\/li>\n<li>DJ Shadow &#8211; <a href=\"https:\/\/www.discogs.com\/release\/31596-Peshay-Vs-DJ-Shadow-DJ-Die-Vs-DJ-Shadow-What-Does-Your-Soul-Look-Like-Part-1-Remixes\">What Does Your Soul Look Like? (DJ Die Remix)<\/a> [Mo&#8217;Wax]<\/li>\n<li>United Future Organization &#8211; <a href=\"https:\/\/www.discogs.com\/release\/531595-United-Future-Organization-The-Planet-Plan\">The Planet Plan (DJ Die Remix)<\/a> [Talkin&#8217; Loud]<\/li>\n<li>Nicolette &#8211; <a href=\"https:\/\/www.discogs.com\/release\/131893-Nicolette-We-Never-Know\">We Never Know Except (Roni Size Remix)<\/a> [Mercury]<\/li>\n<li>Secret Weapon &#8211; <a href=\"https:\/\/www.discogs.com\/release\/436161-Secret-Weapon-Surgery-Strange-Dayz\">Strange Dayz<\/a> [Protocol]<\/li>\n<li>Roni Size &amp; Reprazent &#8211; <a href=\"https:\/\/www.discogs.com\/release\/168122-Roni-Size-Reprazent-Heroes\">Electricks<\/a> [Talkin&#8217; Loud]<\/li>\n<li>DJ Die &#8211; <a href=\"https:\/\/www.discogs.com\/release\/4312-Die-Clear-Skyz\">Clear Skyz<\/a> [Full Cycle]<\/li>\n<li>DJ Die &#8211; <a href=\"https:\/\/www.discogs.com\/release\/21804382-DJ-Die-Clear-Skyz-1996-VIP\">Clear Skyz (1996 VIP)<\/a> [Gutterfunk]<\/li>\n<li>Roni Size &#8211; <a href=\"https:\/\/www.discogs.com\/release\/6844-Roni-Size-Brut-Force-Secrets\">Brut Force<\/a> [Full Cycle]<\/li>\n<li>Turntable Terranova &#8211; <a href=\"https:\/\/www.discogs.com\/release\/10805-Turntable-Terranova-Precipice-DJ-Krust-Remix\">Precipice (DJ Krust Remix)<\/a> [Compost]<\/li>\n<li>Flynn &amp; Flora &#8211; <a href=\"https:\/\/www.discogs.com\/release\/1893747-Flynn-Flora-BassSpeaker-Bizniz\">Bizniz<\/a> [Independent Dealers]<\/li>\n<li>Firefox &amp; Suvivor &#8211; <a href=\"https:\/\/www.discogs.com\/release\/97153-Firefox-Suvivor-Who-Is-It\">Back Out of Dis<\/a> [Philly Blunt]<\/li>\n<li>Trinity &#8211; <a href=\"https:\/\/www.discogs.com\/release\/59136-Dillinja-Trinity-Muthaucka-Gangster-Remixes\">Gangsta (Glamour Gold Remix)<\/a> [Philly Blunt]<\/li>\n<li>Gang Related &amp; Mask &#8211; <a href=\"https:\/\/www.discogs.com\/release\/34589-Gang-Related-Mask-Reasons-For-Living-EP\">Death Blow<\/a> [Dope Dragon]<\/li>\n<li>Glamour Gold &#8211; <a href=\"https:\/\/www.discogs.com\/release\/337642-Glamour-Gold-The-Only-One\">The Only One<\/a> [Rap]<\/li>\n<\/ol>\n<p><!--more--><\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2026\/03\/john_bass_scoops_pearsall.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2026\/03\/john_bass_scoops_pearsall-768x1024.jpg\" alt=\"\" class=\"wp-image-5897\" srcset=\"https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2026\/03\/john_bass_scoops_pearsall-768x1024.jpg 768w, https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2026\/03\/john_bass_scoops_pearsall-225x300.jpg 225w, https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2026\/03\/john_bass_scoops_pearsall.jpg 900w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure>\n<p>I\u2019m back with another old skool drum n\u2019 bass mix, this time for the <a href=\"https:\/\/soundcloud.com\/bassscoops\">Bass Scoops <\/a>show on Toxic Sickness Radio.<\/p>\n<p>John Bass Scoops (above on the left, with me on the right) is a guy I met online a few years back after he reached out. I promised him a mix a long time ago (gulp) but it took me forever to get around to doing it. Hopefully this is a nice treat now that it\u2019s actually done!<\/p>\n<p>We actually met for a few drinks a while back when he was in Berlin &#8211; great guy! As he is from Bristol, the theme of the mix was super obvious (to me at least) &#8211; I had to do a mix of some of tracks from some of my favourite 90\u2019s Bristol drum n\u2019 bass artists!<\/p>\n<p>In case you\u2019ve been living under a rock, you might be unaware that <a href=\"https:\/\/blog.bimm.co.uk\/times-of-reinventions-how-the-bristol-music-scene-evolved-in-the-1990s-mmu\">Bristol has been one of Britain\u2019s most consistently musically fertile city over the past thirty years<\/a>. From trip-hop to jungle to drum n\u2019 bass to dubstep to grime to all kinds of weird and interesting things, Bristol has consistently punched way above its weight (I don\u2019t even think it\u2019s in the top 10 largest cities in the UK). It must be something in the water \u2026 or the weed!<\/p>\n<p>In terms of drum n\u2019 bass in particular, Bristol has been probably the second most important city in the evolution of the music, after London. And credit for that mostly goes to the <a href=\"https:\/\/fullcyclerecords.co.uk\/\">Full Cycle<\/a> crew: Roni Size, DJ Krust, DJ Die, DJ Suv, as well as associates like Bill Riley, Flynn and Flora, and Smith &amp; Mighty.<\/p>\n<p>These guys were and are insanely prolific, putting out tons of stuff on their own labels Full Cycle and Dope Dragon, making regular appearances on Bryan Gee\u2019s labels V Recordings, Chronic, and Philly Blunt, as well as contributing to other labels with singles and remixes, they were also (especially Roni Size) regularly tapped by major labels to provide drum n\u2019 bass remixes of artists in other styles. Their group project Roni Size &amp; Reprazent was a new standard in ambition for live drum n\u2019 bass and even <a href=\"https:\/\/www.theguardian.com\/music\/2018\/jul\/17\/how-we-made-roni-size-on-the-mercury-winning-album-new-forms\">won the prestigious Mercury Prize in 1997<\/a>, the first drum n\u2019 bass artists to do so. These guys were not sitting on their butts!<\/p>\n<p>Given all this, it\u2019s basically a fool\u2019s errand to try to put together a definitive \u2018best of Bristol 90\u2019s drum n\u2019 bass mix\u2019 so \u2026 I didn\u2019t try!<\/p>\n<p>Instead what I\u2019ve done is to put together a 30 track mix that starts in 1996 and runs through some of their lesser-known releases over subsequent years &#8211; I deliberately left out big anthems like \u2018It\u2019s Jazzy\u2019, \u2018Warhead\u2019, \u2018Play It For Me\u2019, and \u2018Li-Li\u2019 because, even though they are amazing, they\u2019ve been played to death over the years. This mix is therefore a mix of b-sides, remixes, and lesser known tunes, with a few of the big tunes sprinkled in. It\u2019s a pretty sick mix, to be honest, and I hope you enjoy it!<\/p>\n<p>Let me tell you a bit about some particularly interesting tracks on this mix.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/SiECrTDoUxZ1vZqZ95ELNiR1cl6TJOWLVJxAeEn2j84\/rs:fit\/g:sm\/q:90\/h:600\/w:598\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTkxMjMt\/MTUyMjA1MzY5Mi05\/ODMzLmpwZWc.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"1\" class=\"wp-block-list\">\n<li><strong>DJ Krust &#8211; Maintain [V Recordings]<\/strong><\/li>\n<\/ol>\n<p>This is actually a quite famous tune, appearing on the legendary Planet V compilation. This is classic DJ Krust &#8211; a perfect intro that starts with a beatless section that combines sweeping melodies with a soulful vocal before exploding into an experimental deep space journey. Militant breaks, heavy bass, and weird sound effects that fly in and out of the mix. Powerful music! I\u2019ve used the album version &#8211; there was a version released previously on V as a b-side to \u2018Guess\u2019 that didn\u2019t have the epic intro.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/0FhguRZUusKS2jVVPXf8_38NQrJyuITy2xce_aUnIzI\/rs:fit\/g:sm\/q:90\/h:598\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTg4MTA5\/LTE0NDcyODM2MTkt\/MzQ4OC5qcGVn.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"10\" class=\"wp-block-list\">\n<li><strong>Nuyorican Soul &#8211; It&#8217;s Alright, I Feel It (Roni Size Remix) [Talkin&#8217; Loud]<\/strong><\/li>\n<\/ol>\n<p>Nuyorican Soul was a side project of house legends Masters at Work, aka Lil\u2019 Louie Vega and Kenny \u2018Dope\u2019 Gonzalez, where the New York duo explored their Puerto Rican roots in an epic album that combined the Latin music of their childhood with American soul and funk. It\u2019s an incredible, life-affirming album, and if you\u2019ve never heard it before, you really have to. For this remix, Roni Size took the massive tune \u2018It\u2019s Alright, I Feel It\u2019 and give it a super sharp drum n\u2019 bass reinterpretation. When those pianos start rolling in, you know you\u2019re in for a treat! I love how when he drops the bass, it\u2019s a proper jazz-funk live bass. Just a delicious tune!<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/j1q2DWnYfQiaJcXkYi8WuHTUSi31hX60Vbm5ENMTF0Q\/rs:fit\/g:sm\/q:90\/h:600\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTMxNTk2\/LTE0ODE1MzQ0Nzct\/NTMxMy5qcGVn.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"12\" class=\"wp-block-list\">\n<li><strong>DJ Shadow &#8211; What Does Your Soul Look Like? (DJ Die Remix) [Mo&#8217;Wax]<\/strong><\/li>\n<\/ol>\n<p>DJ Die, king of the rollers, remixing DJ Shadow, the West Coast trip-hop pioneer? Come on, you already know this is going to be incredible. Mo\u2019Wax was a simply amazing label that was huge at the time but weirdly doesn\u2019t seem to be talked about much now. I\u2019ve never really understood why &#8211; is it because of James Lavelle, the label boss and London man about town? Lots of people seemed to dislike him as a kind of proto-hipster figure, but I never really knew or understood anything about that. Who cares? The music is great, the man had impeccable taste, and the label consistently put out fantastic music, and he had an knack for picking great remixers to put their own spin on the label\u2019s output.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/HdDn_cgH3Uk7sFSNqWJpEaZZngUiBMFlz9OTvGVpinQ\/rs:fit\/g:sm\/q:90\/h:600\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTE2ODEy\/Mi0xNDAxNjM0ODUy\/LTQ1NzMuanBlZw.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"16\" class=\"wp-block-list\">\n<li><strong>Roni Size &amp; Reprazent &#8211; Electricks [Talkin&#8217; Loud]<\/strong><\/li>\n<\/ol>\n<p>Roni Size \/ Reprazent was the Full Cycle crew\u2019s flagship project that brought together the key four figures &#8211; Roni Size, DJ Krust, DJ Die, and DJ Suv &#8211; with a whole host of musicians and vocalists to create a new experience in drum n\u2019 bass, leading to their now classic album, New Forms, which won the prestigious Mercury Music Prize in 1997. Roni Size \/ Reprazent was part of a wave of ambitious projects to take drum n\u2019 bass beyond the dancefloor &#8211; to the radio, to the festival big stages, to the BBC, and into the living room. The album itself showcased this creativity and artistic diversity and still sounds great today. This particular track was a b-side on one of the single releases and is very much a dancefloor tune. Me personally, I\u2019ve always loved this one, and it\u2019s shamefully underplayed.<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2018\/jul\/17\/how-we-made-roni-size-on-the-mercury-winning-album-new-forms\">Here&#8217;s a quote<\/a> from Dynamite MC about winning the prize:<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>I\u2019d grown up with fast music: house, rave and jungle. We took all that energy and put it into a melting pot on New Forms. The collective was just the right amount of chefs: DJ Krust was strings-oriented, DJ Suv brought science-fiction type soundscapes, DJ Die was good at cut-ups, scratches and bass lines, while Onallee was a wonderful singer and songwriter.<\/p>\n<p>I feature on Railing and Brown Paper Bag, which was just a working title until I went: \u201cStep to the rhythm made out of brown paper!\u201d It built from there. If it had been called anything else, the rap would have been totally different. The album title was about saying who we were and what we represented, but we had no idea it would have such impact.<\/p>\n<p>My strongest memories of the Mercury are the meal \u2013 monkfish \u2013 and meeting TV hypnotist&nbsp;<a href=\"https:\/\/www.imdb.com\/title\/tt0195464\/\">Paul McKenna<\/a>. I went: \u201cWow, I love your show!\u201d And he went: \u201cNever mind my show, tell me about your album!\u201d It felt like we were flying the flag for the entire drum\u2019n\u2019bass scene. The Mercury statue is still in Roni\u2019s front room. We went in as 100-1 outsider kids from the West Country and came out as champions. I wish I\u2019d put a tenner on us.<\/p>\n<\/blockquote>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/GdtsKGicZAoOnOTcgkjXUayUpJyoBTDUUkMllM-Na8Q\/rs:fit\/g:sm\/q:90\/h:571\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTQzMTIt\/MTQzNjUzMTIzMS04\/NjI2LmpwZWc.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"17\" class=\"wp-block-list\">\n<li><strong>DJ Die &#8211; Clear Skyz [Full Cycle]<\/strong><\/li>\n<li><strong>DJ Die &#8211; Clear Skyz (1996 VIP) [Gutterfunk]<\/strong><\/li>\n<\/ol>\n<p>DJ Die is the king of the rollers, and Clear Skyz is one of his most beloved tunes. It\u2019s one of those tunes that is almost brutally simple, but hypnotically compelling. It\u2019s really drum n\u2019 bass stripped to the essence &#8211; urgent, rolling percussion laid over a hypnotic bassline. In this case, I\u2019ve also mixed in the 1996 VIP mix which was released a few years back after decades on dubplate. It\u2019s not particularly different from the original, but it was fun to cut up between the two of them.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/a_5czrx4FBiW97UDVkLIEhwncx8muvvraAjPKaMIM80\/rs:fit\/g:sm\/q:90\/h:600\/w:595\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTQxMDIw\/LTEzMTU1ODgwODIu\/anBlZw.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"21\" class=\"wp-block-list\">\n<li><strong>Flynn &amp; Flora &#8211; Bizniz [Independent Dealers]<\/strong><\/li>\n<\/ol>\n<p>Flynn and Flora were a duo of J. Thompson (Krust\u2019s brother) &amp; Florentia Fiakkas, who sadly died of cancer in 2014. I think they were a married couple, but I\u2019m not 100% sure. What I do know is that they put out tons of great drum n\u2019 bass via their own Independent Dealers label, and that they have been criminally underrated \u2026 even by me! I don\u2019t have anywhere near as much of their stuff as I could or should. Like this release, this is an actual banger, a rugged bassline that pounds away inside your skull and just doesn\u2019t let go. I\u2019ve never heard this one on a large sound system, but I imagine it must be incredible.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/MuHB0stt1MWVV820csF8DyxWn6E1Z26Ed-yNiNatPCg\/rs:fit\/g:sm\/q:90\/h:496\/w:500\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTMzNzY0\/Mi0xMTc1MDE5NDEx\/LmpwZWc.jpeg\" alt=\"\"\/><\/figure>\n<ol start=\"25\" class=\"wp-block-list\">\n<li><strong>Glamour Gold &#8211; The Only One [Rap]<\/strong><\/li>\n<\/ol>\n<p>Glamour Gold was a Krust alias for more dancefloor material, and this was apparently due to be the 10th release on the V sub-label Philly Blunt, but it was moved to a bootleg due to the fact that this is built on a very obvious sample from the song \u2018<a href=\"https:\/\/www.youtube.com\/watch?v=vjk2oUINxnA\">Touch Me, Tease Me<\/a>\u2019 by the American R&amp;B artist Case. They obviously decided that it could not be cleared, so they simply stuck it out as a bootleg on \u2018Rap Records\u2019 with no identifying information. I\u2019m very glad I have a copy of this, because it\u2019s an absolute killer. The vocal sample works perfectly over the stepping breaks and pulsing bass. In the mix it combines incredibly with the insane bassline from \u2018Death Blow\u2019 &#8211; the R&amp;B vocal over the mad bassline is a potent combination!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A selection of incredible 90&#8217;s drum n&#8217; bass from Bristol artists Roni Size, DJ Krust, DJ Die, DJ Suv, Flynn &#038; Flora and Bill Riley<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[274,13,217],"class_list":["post-5892","post","type-post","status-publish","format-standard","hentry","category-mixes","tag-bristol","tag-drum-n-bass","tag-tribute-mixes"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/5892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/comments?post=5892"}],"version-history":[{"count":6,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/5892\/revisions"}],"predecessor-version":[{"id":5901,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/5892\/revisions\/5901"}],"wp:attachment":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/media?parent=5892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/categories?post=5892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/tags?post=5892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}