{"id":4754,"date":"2019-12-02T20:31:33","date_gmt":"2019-12-02T19:31:33","guid":{"rendered":"http:\/\/sonicrampage.org\/blog\/?p=4754"},"modified":"2026-03-31T14:12:13","modified_gmt":"2026-03-31T13:12:13","slug":"pearsall-presents-30x3-2-into-the-dreamstate-old-skool-acid-trance-mix","status":"publish","type":"post","link":"https:\/\/sonicrampage.org\/blog\/2019\/12\/pearsall-presents-30x3-2-into-the-dreamstate-old-skool-acid-trance-mix\/","title":{"rendered":"Pearsall presents 30&#215;3.2: Into the Dreamstate (Old Skool Acid Trance Mix)"},"content":{"rendered":"<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"460\" src=\"http:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2019\/11\/Pearsall-30x3.2-IntoTheDreamstate.png\" alt=\"\" class=\"wp-image-4756\" srcset=\"https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2019\/11\/Pearsall-30x3.2-IntoTheDreamstate.png 460w, https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2019\/11\/Pearsall-30x3.2-IntoTheDreamstate-300x300.png 300w, https:\/\/sonicrampage.org\/blog\/wp-content\/uploads\/2019\/11\/Pearsall-30x3.2-IntoTheDreamstate-150x150.png 150w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/figure>\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/30x3\/Pearsall-30x3.2-IntoTheDreamstate.mp3\">Pearsall presents Pearsall presents 30&#215;3.2: Into the Dreamstate<\/a><\/h2>\n<p><em>right-click, save as to download this free mp3 mix<\/em><\/p>\n<p><iframe loading=\"lazy\" scrolling=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/721760824&amp;color=%23b6de09&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"><\/iframe><\/p>\n<p>Mixed in Berlin, November 2019<br \/>100% Vinyl<br \/>(112:47, 258 MB, 320 kbps mp3) <\/p>\n<p><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/30x3\/Pearsall-30x3.2-IntoTheDreamstate.cue\">Cue file<\/a><br \/><a href=\"http:\/\/sonicrampage.org\/mixes\/30x3\/Pearsall-30x3.2-IntoTheDreamstateBIG.png\">Larger Cover<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/alexmapar\">Cover by Alex Mapar<\/a><\/p>\n<p>Direct link to the mix:<br \/><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/30x3\/Pearsall-30x3.2-IntoTheDreamstate.mp3\">https:\/\/mixes-upload.pearsall.workers.dev\/mixes\/30&#215;3\/Pearsall-30&#215;3.2-IntoTheDreamstate.mp3<\/a><\/p>\n<p><!--more--><\/p>\n<p><strong>Tracklisting:<\/strong><\/p>\n<ol class=\"wp-block-list\">\n<li>Man with No Name &#8211; <a href=\"https:\/\/www.discogs.com\/Man-With-No-Name-Teleport-Sugar-Rush\/release\/35349\">Sugar Rush (Refined Mix)<\/a> (Perfecto Fluoro)<\/li>\n<li>BBE &#8211; <a href=\"https:\/\/www.discogs.com\/BBE-Flash\/release\/89775\">Flash (UK Mix)<\/a> (Triangle)<\/li>\n<li>Pablo Gargano &#8211; <a href=\"https:\/\/www.discogs.com\/Pablo-Gargano-Eve-16\/release\/156938\">Mountain Bike<\/a> (Eve Records)<\/li>\n<li>Union Jack &#8211; <a href=\"https:\/\/www.discogs.com\/Union-Jack-Cockroach-Yeti\/release\/3376\">Yeti<\/a> (Platipus)<\/li>\n<li>Formic Acid &#8211; <a href=\"https:\/\/www.discogs.com\/Formic-Acid-Dreams-Of-Fantasy\/release\/245599\">Dreams of Fantasy (Acid Dreams)<\/a> (ZYX)<\/li>\n<li>Transa &#8211; <a href=\"https:\/\/www.discogs.com\/Transa-Prophase-Interphase\/release\/88531\">Prophase<\/a> (Hook)<\/li>\n<li>Hal Stucker &#8211; <a href=\"https:\/\/www.discogs.com\/Hal-Stucker-The-World-Is-Flat\/release\/147723\">Lansing<\/a> (Telica)<\/li>\n<li>Special Force &#8211; <a href=\"https:\/\/www.discogs.com\/Special-Force-The-Hype\/release\/179969\">The Hype<\/a> (Gang Go)<\/li>\n<li>DJ Scot Project &#8211; <a href=\"https:\/\/www.discogs.com\/DJ-Scot-Project-O\/release\/22865\">O (Arome Mix)<\/a> (Overdose)<\/li>\n<li>DJ Randy &#8211; <a href=\"https:\/\/www.discogs.com\/DJ-Randy-Overmodulate\/release\/21851\">Overmodulate<\/a> (Prolekult)<\/li>\n<li>R-Damski &#8211;<a href=\"https:\/\/www.discogs.com\/R-Damski-Acoustic-Nature\/release\/127730\"> Acoustic Nature<\/a> (Overdrive)<\/li>\n<li>Cores &#8211; <a href=\"https:\/\/www.discogs.com\/Cores-Matabu-EP\/release\/22923\">Matabu Part One<\/a> (Noom)<\/li>\n<li>Ironik &#8211; <a href=\"https:\/\/www.discogs.com\/Ironik-Slave-The-Unexpected\/release\/208075\">Slave<\/a> (TeC)<\/li>\n<li>Legacy &#8211; <a href=\"https:\/\/www.discogs.com\/Legacy-Coming-To-LA\/release\/219234\">All Out of Bubble Gum<\/a> (Reef)<\/li>\n<li>X-Ite &#8211;<a href=\"https:\/\/www.discogs.com\/X-Ite-Cyberworld\/release\/177708\"> Cyberworld<\/a> (Spaceflower)<\/li>\n<li>Karim &#8211; <a href=\"https:\/\/www.discogs.com\/Karim-2-Slags-Wet-n-Wild-Feel-Free\/release\/5329051\">Wet n&#8217; Wild<\/a> (Do Not Bend)<\/li>\n<li>DJ Misjah &amp; DJ Tim &#8211; <a href=\"https:\/\/www.discogs.com\/DJ-Misjah-DJ-Tim-Access\/release\/81064\">Access (KY Jellybabies Remix)<\/a> (Tripoli Trax)<\/li>\n<li>Jon Doe &#8211; <a href=\"https:\/\/www.discogs.com\/Jon-Doe-Dimension-X-Future\/release\/378461\">Future<\/a> (Honey Pot Hard)<\/li>\n<li>Blu Peter &#8211; <a href=\"https:\/\/www.discogs.com\/Blu-Peter-The-Pictures-In-Your-Mind\/release\/54874\">The Pictures In Your Mind (Arabesque Mix)<\/a> (React)<\/li>\n<li>Lab 4 &#8211; <a href=\"https:\/\/www.discogs.com\/Lab-4-Bluebook-Remixes\/release\/24293\">Close Encounter (Choci &amp; Mark Sinclair Remix)<\/a> (Choci&#8217;s Chewns)<\/li>\n<li>Chris Liberator &amp; D.A.V.E The Drummer \u2013 <a href=\"https:\/\/www.discogs.com\/DAVE-The-Drummer-And-Chris-Liberator-GeezerAnd-Chris-Liberator-Renegades-Of-Acid-Trance-Face-The-Spe\/release\/242841\">Renegades of Acid Trance<\/a> (Amnesia)<\/li>\n<li>Rob Vanden &amp; Tailbone &#8211; <a href=\"https:\/\/www.discogs.com\/Rob-Vanden-Tailbone-Berlin-Skyline\/release\/317883\">Berlin Skyline<\/a> (Submerged)<\/li>\n<li>Nature Party &#8211; <a href=\"https:\/\/www.discogs.com\/Nature-Party-Kick-EP\/release\/170496\">Stoned Nation<\/a> (Corrosive)<\/li>\n<li>Abet &#8211; <a href=\"https:\/\/www.discogs.com\/Abet-The-Sweetest-Song\/release\/169238\">The Sweetest Song (Remix)<\/a> (Tunnel)<\/li>\n<li>Hard Trance &#8211; <a href=\"https:\/\/www.discogs.com\/Hard-Trance-Undiscovered\/release\/243645\">Last Project<\/a> (Evolution)<\/li>\n<li>DJ Energy &#8211; <a href=\"https:\/\/www.discogs.com\/Energy-Take-Me-Up-Acid-Dawn\/release\/24038\">Acid Dawn<\/a> (Nu Energy)<\/li>\n<li>Supreme &amp; UFO &#8211; <a href=\"https:\/\/www.discogs.com\/Supreme-UFO-Supreme-Meets-UFO-Part-2\/release\/1270600\">Paradise<\/a> (Man From Uncle)<\/li>\n<li>Tazz &amp; Element &#8211; <a href=\"https:\/\/www.discogs.com\/Tazz-Element-Enslave-The-People-Shape-Shifter\/release\/148589\">Shape Shifter<\/a> (Digital Beats)<\/li>\n<li>Beyonder &#8211; <a href=\"https:\/\/www.discogs.com\/Beyonder-The-Wish\/release\/66418\">The Wish<\/a> (Cenobite)<\/li>\n<li>Carbon Based &#8211; <a href=\"https:\/\/www.discogs.com\/Carbon-Based-Straight-Outta-Finland-EP\/release\/244773\">Cyclone<\/a> (Electronic)<\/li>\n<\/ol>\n<p><em>Note from Pearsall:<\/em><\/p>\n<p><em>This is the second mix in the <strong><a href=\"http:\/\/sonicrampage.org\/blog\/tag\/30x3\/\">30&#215;3<\/a><\/strong> series &#8211; the first came out last Monday and was called <strong><a href=\"http:\/\/sonicrampage.org\/blog\/2019\/11\/pearsall-presents-30x3-1-your-mind-on-303s-old-skool-acid-techno\/\">Your Mind on 303s<\/a><\/strong> and the third and last one will be out next Monday.<\/em><\/p>\n<p><em>30&#215;3 is a series of three mixes dedicated to the Roland TB-303 synth, each with 30 tracks (the 30&#215;3 makes sense now, right?), each with a different theme. What can I say &#8211; I&#8217;m a sucker for concept mixes! <\/em><\/p>\n<p><em>This particular mix is dedicated to the euphoric sounds of old skool acid trance, which I have interpreted super widely here to cover anything trancey and featuring a 303 synth. So that means everything from 140 bpm acidic Goa trance from Man with No Name to 180 bpm acid gabba trancecore from Beyonder, with all kinds of styles and flavors in-between.  Each mix in the series, given 30 tracks to play with, is expressly designed to be a real &#8216;journey&#8217;, and this is no exception, as it starts off relatively slow, restrained and hypnotic &#8211; with what I consider to be<a href=\"http:\/\/sonicrampage.org\/blog\/2016\/07\/pearsall-presents-escape-the-dream-trance-the-780-project-part-17\/\"> the &#8216;real&#8217; trance sound<\/a> &#8211; and then ends in frantic freeform territory with my single favorite ever freeform track (<a href=\"http:\/\/sonicrampage.org\/blog\/2012\/02\/pearsall-rampage-turbo-10-finrg\/\">praise be to Finland<\/a>!)<\/em><\/p>\n<p><em>Conceptually, this is an &#8216;old skool&#8217; mix, which I guess would normally mean all 90&#8217;s stuff, but I did include a few bits from the early 2000&#8217;s &#8211; probably the latest track is the last one, &#8216;Cyclone&#8217; by Carbon Based, which came out in 2003. I guess that&#8217;s breaking my (totally arbitrary) rules about tune selection, but 2003 is already sixteen years ago!<\/em><\/p>\n<p><em>This music has always had a special place in my heart, ever since I first encountered it as a teenager, so to accompany it I am reposting in a slightly altered form an essay about the music and scene that  I originally wrote  to accompany my mix <a href=\"http:\/\/sonicrampage.org\/blog\/2011\/04\/pearsall-presents-there-must-be-a-future-new\/\">There Must Be A Future<\/a> in 2011 &#8211; actually that was the first mix I made after I became a father.<\/em><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/sonicrampage.org\/mixes\/tmbaf\/Ravin99.jpg\" alt=\"\"\/><figcaption>Me,  <em>raving at Atomic Energy, London, 1999<\/em> <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\"><strong>Acid Trance Memories<\/strong><\/h2>\n<p><em>Pearsall, Edinburgh, April 2011<\/em><\/p>\n<p>I remember reading once that the music that really stays with you through life is the music you love when you are 17\/18.<\/p>\n<p>I can believe it.<\/p>\n<p>Take the music featured on this mix \u2013 these UK acid trance records<br \/>\nhold a very special place in my heart, having soundtracked my first<br \/>\nnights out raving at London parties like Escape From Samsara, Pendragon,<br \/>\n and Techtonic. Not that it was necessarily my favorite music right away<br \/>\n \u2013 those of you who have read my other essays here at Sonicrampage will<br \/>\nknow that when I was 15-17 I was a full-scale junglist, or at least as<br \/>\nmuch of one as an upper-middle class white American expat could be!<\/p>\n<p>My friends, however, were not, so given that I was always outvoted,<br \/>\nif I wanted to go out and party with them, I had to accept we\u2019d be<br \/>\nhearing something besides jungle.<\/p>\n<p>Which in our case meant that we ended up going out to trance events,<br \/>\nsince that\u2019s what the older brothers of my group of friends liked to<br \/>\nrave to. Like a lot of other teenage boys, we were very heavily<br \/>\ninfluenced by these older brothers, since they were older, more<br \/>\nconfident, and just generally seemed a lot cooler and more mature than<br \/>\nus. Unsurprisingly, this influence led to us picking up a number of<br \/>\ntheir habits and tastes, both good and bad.<\/p>\n<ul class=\"wp-block-list\">\n<li>Smoking = bad<\/li>\n<li> Banging hard trance = very good!<\/li>\n<\/ul>\n<p>Admittedly, the hard trance thing was not so good right at the beginning. I was a <em>junglist<\/em> after all (\u201cthat shit\u2019s not from the streets, maaaaan\u201d \u2026 as if <em>I<\/em><br \/>\n was from the fucking streets!), but since I didn\u2019t want to sit around<br \/>\nat home on my own, I had to learn to tolerate that hippy nonsense.<\/p>\n<p>As you might have guessed, in the end I learned not just to tolerate it, but to love it with a fearsome passion!<\/p>\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/sonicrampage.org\/mixes\/tmbaf\/viciouscircle.jpg?w=474\" alt=\"Vicious Circle\"\/><figcaption>  <em>Dan Durnin and I at Vicious Circle, Sheffield, 2002<\/em> <\/figcaption><\/figure>\n<p>But I\u2019m getting a bit ahead of myself. The story of me and this music  really started with the first club night I ever went to, which was an  <a href=\"http:\/\/sonicrampage.org\/blog\/2016\/11\/pearsalls-tribute-to-escape-from-samsara-part-1-the-780-project-part-20\/\">Escape From Samsara<\/a> event at the Fridge in Brixton back in September  1996, not long before my 16th birthday. If you remember Samsara from  when it was a weekly event, just think how long ago it was that it was a  monthly \u2026 just thinking about it makes me feel totally prehistoric  (although not as bad as seeing teenagers on the streets and thinking  \u201cwhy did their parents let them out dressed like that!\u201d) <\/p>\n<p>As you can see from the photo above of me at 18, I always had a very,<br \/>\n um, \u2018youthful\u2019 appearance, so frankly it was no surprise when I got<br \/>\nknocked back at the door! In the end, I hung around long enough looking<br \/>\npathetic and complaining that my friends were all inside that the<br \/>\nbouncer took pity on me and let me in.<\/p>\n<p>Wow!<\/p>\n<p>I\u2019m not too sure I was actually ready for the full power of the<br \/>\nexperience \u2026 it\u2019s one thing to hear trance on a tinny boombox in a<br \/>\nhotboxed bedroom, cherry holes on the floor, stupid posters on the wall,<br \/>\n ears pricked for the tell-tale sound of parents coming in the door, but<br \/>\n really truly another thing to hear it on a big system in a heaving<br \/>\nclub, with hands in the air, smiles on faces, and lasers strafing.<br \/>\nFuelled by nothing more than a few sodas, I hit the floor and just went<br \/>\nfor it.<\/p>\n<p>That, properly, was the start of my love affair with hard trance\u2019s<br \/>\nmagical combination of relentless 4\/4 kickdrums, sizzling 303 lines, and<br \/>\n intense melodies.<\/p>\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/sonicrampage.org\/mixes\/tmbaf\/milkbrixton.jpg?w=474\" alt=\"Milk, Brixton\"\/><figcaption>  <em>Playing at Milk, Brixton, Summer 2002 \u2026 not sure about the goggles!<\/em> <\/figcaption><\/figure>\n<p>Every now and then people ask me how I find the time\/energy to do so many mixes.<\/p>\n<p>Which is flattering, but actually the wrong question, because the<br \/>\ntrickiest part of the whole process is writing the accompanying blog<br \/>\npost. <\/p>\n<p>Why?<\/p>\n<p>Typically it is because I write for several different reasons  which can be tricky to balance.<\/p>\n<p>On the most basic level, I take a certain amount of pride in<br \/>\nproviding a full package \u2013 not just a single mp3 mix bunged up on<br \/>\nMediafire or wherever, but both whole and split versions of the mix,<br \/>\nwith a cover, a cue file, the tracklist, and a (hopefully interesting)<br \/>\nessay. Usually (but not always!), I like to explain the thinking behind<br \/>\nthe mix, since there <em>is<\/em> a thought process behind each mix \u2013 I<br \/>\nnever just randomly pull out tracks and bang them together, but instead<br \/>\nI\u2019m trying to tell a kind of sonic story (and if you\u2019re interested in a<br \/>\nmore in-depth exploration of this theme, read the essay I wrote to<br \/>\naccompany my <a href=\"http:\/\/sonicrampage.org\/blog\/2008\/09\/pearsall-presents-rampage-audio-6\/\">Rampage Audio 6<\/a> mix).<\/p>\n<p>On another level I\u2019m also writing for the pure selfish pleasure of<br \/>\nwriting. I\u2019ve always loved to write, but I have found that it can<br \/>\nsometimes be difficult to do so regularly, through a combination of<br \/>\nprocrastination and the difficulty of picking the right topics.<br \/>\nTherefore, writing for this blog has been a good way to force a little<br \/>\ndiscipline on me as a writer. Also, in a funny way I feel that the<br \/>\npressure is off me to write amazing incredible essays because to be<br \/>\ncompletely honest most of the visitors to this site are here strictly<br \/>\nfor the music. Someone writing for a text-focused publication doesn\u2019t<br \/>\nhave that luxury.<\/p>\n<p>The third reason why I write is that, especially with the mixes of<br \/>\nolder material, I want to catalogue my memories of the British<br \/>\nunderground dance scene as it existed in the late 90\u2019s\/early 00\u2019s,<br \/>\nespecially for the scene surrounding the kind of acid techno\/trance that<br \/>\n I\u2019ve featured on this mix, which was both too underground for the world<br \/>\n of superclubs (and just think \u2026 all those Crasher Kids in uv gear with<br \/>\nMitsi symbols on their faces are probably married with kids by now!) and<br \/>\n yet not cool or progressive enough to be of interest to serious music<br \/>\ncritics in the same way that the <a href=\"http:\/\/www.kmag.co.uk\/legacy\/editorial\/features\/enter-the-nuum\">London hardcore continuum<\/a><br \/>\n is. I think that scene was pretty interesting as a socio-cultural<br \/>\nphenomenon, and also because I think it\u2019s kind of disappeared from<br \/>\ncultural memory, and I want to make sure that at least some knowledge of<br \/>\n it survives. <\/p>\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/sonicrampage.org\/mixes\/tmbaf\/dancevalley2001.jpg?w=474\" alt=\"Dancevalley\"\/><figcaption>  <em>The Twatted Tour hits Dancevalley, Holland, 2001<\/em> <\/figcaption><\/figure>\n<p>In a way, it\u2019s funny, because it\u2019s only now that I\u2019m in my 30\u2019s,<br \/>\nmarried, and a father, and now no longer clubbing that I realize how big<br \/>\n a role the scene actually played in my life, and how so many of my<br \/>\nfondest memories were from the whole hard dance scene.<\/p>\n<p>A few things that make me smile to think back to:<\/p>\n<ul class=\"wp-block-list\">\n<li>Frantically dialling United Systems at 10 o\u2019clock on a Saturday  night to find out where the night\u2019s squat parties were going down<\/li>\n<li>Whiling away a lazy Saturday afternoon at a record store listening  to tunes and chatting to the guys (always guys) behind the counter. A  partial list of some of my fave stores from back in the day: Kinetec  (Central London), <a href=\"http:\/\/sonicrampage.org\/blog\/2018\/12\/pearsall-presents-full-metal-jacking-a-jerome-hill-tribute\/\">Dragon Discs<\/a> (Camden), <a href=\"http:\/\/sonicrampage.org\/blog\/2012\/06\/running-a-record-store-back-in-the-day-an-interview-with-jay-equinox-of-elite-records\/\">Elite Records<\/a> (Victoria),  Basement Vinyl (Kilburn), Mad Records (Soho) and Pendragon Records  (Brixton)<\/li>\n<li>Being in a heaving club and seeing everyone <em>everywhere<\/em> dancing<\/li>\n<li>The pure rush of a snareroll crescendoing and the beat kicking back in full force \u2026 cliche or not, you can\u2019t ignore that power<\/li>\n<li>Meeting people and becoming inseperable best mates for the night; of course, you\u2019d never see them again<\/li>\n<li>The friendliness and camaraderie that you would never experience in more fashion-conscious circles<\/li>\n<\/ul>\n<p>Hell, even a lot of the things that sucked at the time have become<br \/>\namusing in retrospect \u2013 like trying to dance in clubs so hot that sweat<br \/>\nwas running down the walls and raining from the ceilings, or standing<br \/>\noutside clubs flyering in arctic conditions to saucer-eyed loons.<\/p>\n<p>Even though those days are well in the past now, I still have the<br \/>\nrecords, and I still have the memories, and since I consider myself very<br \/>\n fortunate to have experienced those times, nothing makes me happier<br \/>\nthan sharing that feeling with you.<\/p>\n<figure class=\"wp-block-image\"><a href=\"https:\/\/i2.wp.com\/sonicrampage.org\/mixes\/tmbaf\/studio24.jpg\"><img decoding=\"async\" src=\"https:\/\/i1.wp.com\/sonicrampage.org\/mixes\/tmbaf\/studio24-600.jpg?w=474\" alt=\"Calton Studios\"\/><\/a><figcaption>  <em>Raving at Studio 24, Edinburgh, 2000<\/em> <\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Acid trance is the music of the Gods! And here Pearsall takes you on a journey into the euphoric sounds of old skool acid trance, from 140 to 180 bpm over 30 magical, powerful, life-affirming tracks<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[225,11,226,9],"class_list":["post-4754","post","type-post","status-publish","format-standard","hentry","category-mixes","tag-30x3","tag-acid","tag-acid-trance","tag-hard-trance"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/4754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/comments?post=4754"}],"version-history":[{"count":12,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/4754\/revisions"}],"predecessor-version":[{"id":5978,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/4754\/revisions\/5978"}],"wp:attachment":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/media?parent=4754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/categories?post=4754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/tags?post=4754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}