{"id":2378,"date":"2013-01-05T11:04:07","date_gmt":"2013-01-05T10:04:07","guid":{"rendered":"http:\/\/sonicrampage.org\/blog\/?p=2378"},"modified":"2026-03-31T14:14:29","modified_gmt":"2026-03-31T13:14:29","slug":"guest-mix-thumpa-presents-bass-riddim-culture","status":"publish","type":"post","link":"https:\/\/sonicrampage.org\/blog\/2013\/01\/guest-mix-thumpa-presents-bass-riddim-culture\/","title":{"rendered":"Guest Mix: Thumpa presents Bass Riddim Culture"},"content":{"rendered":"<p><a href=\"http:\/\/sonicrampage.org\/blog\/2013\/01\/guest-mix-thumpa-presents-bass-riddim-culture\"><img decoding=\"async\" src=\"http:\/\/sonicrampage.org\/guestmixes\/tmpa\/Thumpa-BassRiddimCulture.jpg\" alt=\"Thumpa\"\/><\/a><\/p>\n<h2><strong><a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/guestmixes\/tmpa\/Thumpa-BassRiddimCulture.mp3\">Thumpa presents Bass Riddim Culture<\/a><\/strong><\/h2>\n<p><em>Right-Click, Save As to Download<\/em><\/p>\n<p>Mixed in the UK, December 2012<br \/>\n(67:56, 140 MB, 320 KBPS MP3)<\/p>\n<p><a href=\"http:\/\/sonicrampage.org\/guestmixes\/tmpa\/Thumpa-BassRiddimCultureBIG.jpg\">Large cover<\/a><br \/>\n<a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/guestmixes\/tmpa\/Thumpa-BassRiddimCulture.cue\">Cue File<\/a><\/p>\n<p><strong>Style: Late 90&#8217;s\/Early 00&#8217;s Drum n&#8217; Bass<\/a><\/strong><\/p>\n<p><!--more-->Direct link to the mix: <a href=\"https:\/\/mixes-upload.pearsall.workers.dev\/guestmixes\/tmpa\/Thumpa-BassRiddimCulture.mp3\">https:\/\/mixes-upload.pearsall.workers.dev\/guestmixes\/tmpa\/Thumpa-BassRiddimCulture.mp3<\/a><\/p>\n<p><strong>Tracklisting:<\/strong><\/p>\n<p>01. Ed Rush &#038; Optical &#8211; <a href=\"http:\/\/www.discogs.com\/Ed-Rush-Optical-Trace-Optical-Socom\/release\/1746\">Crash<\/a> (Virus)<br \/>\n02. Moving Fusion &#8211; <a href=\"http:\/\/www.discogs.com\/Moving-Fusion-Atlantis-EP\/release\/5639\">Atlantis<\/a> (Ram)<br \/>\n03. Bad Company &#8211; <a href=\"http:\/\/www.discogs.com\/BC-The-Fear-EP\/release\/1473\">The Fear<\/a> (BC Recordings)<br \/>\n04. Jonny L &#8211; <a href=\"http:\/\/www.discogs.com\/Jonny-L-Piper-Grooverider-Mix\/release\/70989\">Piper (Grooverider Remix)<\/a> (XL)<br \/>\n05. Bad Company &#8211; <a href=\"http:\/\/www.discogs.com\/BC-The-Pulse-China-Cup\/release\/3275\">The Pulse<\/a> (Prototype)<br \/>\n06. Breakbeat Era &#8211; <a href=\"http:\/\/www.discogs.com\/Breakbeat-Era-Ultra-Obscene-Our-Disease-Tera\/release\/4440\">Our Disease Tera<\/a> (XL)<br \/>\n07. Souljah &#8211; <a href=\"http:\/\/www.discogs.com\/Souljah-Fade-2-Black\/release\/43624\">Fade 2 Black<\/a> (Hard Leaders)<br \/>\n08. Dillinja &#8211; <a href=\"http:\/\/www.discogs.com\/Dillinja-Twist-Em-Out-Kids-Stuff\/release\/63846\">Twist &#8216;Em Out<\/a> (Renegade Hardware)<br \/>\n09. Ram Trilogy &#8211; <a href=\"http:\/\/www.discogs.com\/Ram-Trilogy-Titan-EP\/release\/5640\">Titan<\/a> (Ram)<br \/>\n>>>>Tribe Of Issachaar &#8211; <a href=\"http:\/\/www.discogs.com\/Top-Cat-Tribe-Of-Issachar-Original-Ses-Police-In-Helicopter-Yes-Selectah\/release\/291764\">Police In Helicoptor<\/a> (Congo Natty)<br \/>\n10. Q Project &#8211; <a href=\"http:\/\/www.discogs.com\/Q-Project-Champion-Sound-Remixes\/release\/10368\">Champion Sound (Bad Company Remix)<\/a> (CIA)<br \/>\n11. Total Science &#8211; <a href=\"http:\/\/www.discogs.com\/Total-Science--Q-Project-Nosher-Baron-VIP-Safety-Clause-Tango-Ratty-Remix\/release\/165198\">Nosher (Baron Remix)<\/a> (CIA)<br \/>\n12. Bad Company &#8211; <a href=\"http:\/\/www.discogs.com\/BC-Planet-Dust\/release\/3762\">Planet Dust<\/a> (Prototype)<br \/>\n13. Ed Rush &#038; Optical &#8211; <a href=\"http:\/\/www.discogs.com\/Ed-Rush-Optical-Gas-Mask-Bacteria\/release\/1420\">Bacteria<\/a> (Virus)<br \/>\n14. Dillinja &#8211; <a href=\"http:\/\/www.discogs.com\/Dillinja-Lemon-D-Fluid-Hard-Noize\/release\/9854\">Hard Noize<\/a> (Test)<br \/>\n15. Ed Rush, Optical &#038; Fierce &#8211; <a href=\"http:\/\/www.discogs.com\/Ed-Rush-Optical-Fierce-Cutslo-Lokuste-Mix-Alien-Girl\/release\/832\">Alien Girl<\/a> (Prototype)<br \/>\n16. Simon &#8216;Bassline&#8217; Smith &#038; Drumsound &#8211; <a href=\"http:\/\/www.discogs.com\/Drumsound-Simon-Bassline-Smith-The-Odyssey-Body-Movin\/release\/321593\">Odyssey<\/a> (Prototype)<br \/>\n17. Wots My Code &#8211; <a href=\"http:\/\/www.discogs.com\/Wots-My-Code-Total-Science-Dubplate-Total-Science-Remix-Breakfast-Club\/release\/5871\">Dubplate (Total Science Remix)<\/a> (CIA)<br \/>\n18. Renegade &#8211; <a href=\"http:\/\/www.discogs.com\/Renegade-Dark-Soldier-Part-1-2\/release\/44900\">Dark Soldier<\/a> (Dread)<br \/>\n19. Dillinja &#8211; <a href=\"http:\/\/www.discogs.com\/Dillinja-Cybotron\/release\/31775\">All Aboard<\/a> (Valve)<br \/>\n20. Pendulum &#8211; <a href=\"http:\/\/www.discogs.com\/Adam-F-And-DJ-Fresh-Jungle-Sound-The-Bassline-Strikes-Back\/release\/334093\">The Masochist<\/a> (Breakbeat Kaos)<br \/>\n21. Roni Size &#038; Reprazent &#8211; <a href=\"http:\/\/www.discogs.com\/Roni-Size-Reprazent-Reasons-For-Sharing\/release\/220771\">Trust Me<\/a> (Talkin&#8217; Loud)<br \/>\n22. Original Sin &#8211; <a href=\"http:\/\/www.discogs.com\/Original-Sin-Dont-Be-Silly-Cheater-Cheater\/release\/1286535\">Don&#8217;t Be Silly<\/a> (Ganja)<br \/>\n23. Moving Fusion &#8211; <a href=\"http:\/\/www.discogs.com\/Moving-Fusion-The-Beginning-EP\/release\/19832\">The Beginning<\/a> (Ram)<br \/>\n24. Mampi Swift &#8211; <a href=\"http:\/\/www.discogs.com\/Mampi-Swift-The-1-The-Journey\/release\/1659\">The One<\/a> (Charge)<br \/>\n25. Moving Fusion &#8211; <a href=\"http:\/\/www.discogs.com\/Moving-Fusion-Turbulence\/release\/56367\">Turbulence<\/a> (Ram)<\/p>\n<p><i><font color=\"red\"><b>Enjoy this mix? Please consider <a href=\"http:\/\/sonicrampage.org\/blog\/2012\/08\/please-donate-to-help-keep-sonicrampage-awesome\/\">making a donation to help support Sonicrampage<\/a><\/i><\/b><\/font><\/p>\n<p><i><b>Cover:<\/b> Penguin enclosure, Central Park Zoo, New York City<\/b><\/i><\/p>\n<p>Happy New Year and welcome back to Sonicrampage! <\/p>\n<p>2012 was the best year yet for pageviews on the site, and hopefully this year I can build on that, and keep bringing you great electronic music mixes to download and enjoy. This week I will be posting my first new mix of the year, the ninth edition of my Drop The Hammer series of crate-digging mixes, alongside a review of 2012 on the site. Very soon I will also post some of my mix concepts for 2013 &#8211; it would be great to get your feedback on what you want to hear, too. Further down the line I will be contributing an old skool acid mix to the Old School Mix Marathon V later this month (check out the <a href=\"http:\/\/sonicrampage.org\/blog\/2012\/01\/old-school-mix-marathon-iv\/\">Old School Mix Marathon IV<\/a> for last year&#8217;s mixes, or visit <a href=\"http:\/\/sonicrampage.org\/blog\/2012\/01\/pearsall-rampage-turbo-9\/\">Rampage Turbo 9<\/a> to hear my mix). In other news, I have now agreed to take on the management of the <a href=\"http:\/\/www.facebook.com\/freeformaniacs\">Freeformaniacs<\/a> podcast, and there will be some exciting (or at least moderately interesting) news about that very soon.<\/p>\n<p>Back to the subject at hand!<\/p>\n<p>I&#8217;m very proud to kick the year off with this wicked guest mix from the head honcho of <a href=\"https:\/\/soundcloud.com\/rebuild_music\">Rebuild Music<\/a>, DJ Thumpa. Thumpa is a dj whose mixes I have enjoyed very much since first discovering them on the now-defunct USH (United States of Hardcore) forums a few years back. Although primarily a freeform\/UK hardcore dj, Thumpa also plays across many different styles of electronic music &#8230; truly a man after my own heart! For this mix, he has contributed an hour&#8217;s worth of awesome drum n&#8217; bass from the late 90&#8217;s\/early 00&#8217;s, <a href=\"http:\/\/sonicrampage.org\/blog\/2009\/09\/pearsall-presents-drop-the-hammer-6-new\/\">a period that I also love<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/sonicrampage.org\/guestmixes\/tmpa\/thumpa.jpg\" alt=\"DJ Thumpa\"><\/p>\n<p><b>Pearsall: First question, keeping it simple. Who? What? Where? When? Why?<\/b><\/p>\n<p><b>Thumpa:<\/b> Thumpa, DJ and label owner and all round nice guy, sat at my desk pretending to work, Friday 4th January, because I\u2019ve got 5 minutes to myself!<\/p>\n<p><b>For those who don&#8217;t know, what&#8217;s ReBuild Music? How did it come about, and what&#8217;s a brief history of it?<\/b><\/p>\n<p><b><a href=\"http:\/\/www.discogs.com\/label\/ReBuild+Music\">ReBuild Music<\/b><\/a> is an exciting label covering all angles of hardcore music, from dancefloor stuff to freeform to breaks to gabber to vocal stuff to D&#038;B to weird stuff and back again. I started the label in early 2009 as I was surrounded by great music and talented producers and it just made sense to try and make a difference. I\u2019ve been playing this music for years, a lot of mates make music and always thought I had an ear for good music so running a label was the next step really. I don\u2019t make music and have no interest in that side but running a label just seemed the right thing to do, so in April 2009 I started releasing music digitally through Trackitdown, Juno etc. After 6 months I started to get really bored and wanted to do something with a bit more substance (I am very old skool when it comes to music and much prefer a physical format) so in early 2010 I released my first CD album \u2018Worldwide Freeform\u2019 and it just went from there really. I\u2019ve now released 6 CD compilations and they\u2019ve all sold out, done really well and had a lot of praise. Releasing albums is a lot of fun, I can put my personal touch on the releases and it\u2019s a lot more rewarding than uploading a track to Trackitdown!<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F72220075\"><\/iframe><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/sonicrampage.org\/guestmixes\/tmpa\/freeformania.jpg\" alt=\"Freeformania\" align=\"right\"><b>Your new ReBuild album, <i>Freeformania<\/i>, sold out in just over 48 hours &#8211; a pretty amazing achievement for a freeform album! Were you surprised it sold so quickly?<\/b><\/p>\n<p>The albums have always done really well but the last album just went crazy. I know it\u2019s only a few hundred copies and hardly Simon Cowell stuff but to sell out in 48 hours was mental and it\u2019s only just sunk in. The album dropped at the right time, all the artists helped promote it and Cotts did a YouTube video that got 10,000 views in a few days, so I think all the stars were aligned for this one! Freeform is the smallest dance music scene in the UK by far, but the people are passionate about it and (in my opinion) good music always sells. I\u2019m already thinking about the next album, should be out in summer 2013.<\/p>\n<p><b>Congratulations on your recent nomination as Best Breakthrough DJ at the Hardcore Heaven Awards &#8211; how did that come about?<\/b><\/p>\n<p>Thanks! I haven\u2019t really thought about it to be honest, seeing as I didn\u2019t win haha! I\u2019ve never been on any Hardcore Heaven nominations before, despite playing at big raves for nearly 10 years and getting booked by everyone, so it was nice to see my name on the list for once. However I\u2019m getting too old for the popularity contest that is the hardcore scene, so I just do what I do and if people like the label and my DJ\u2019ing then that\u2019s cool, and if they don\u2019t then there\u2019s plenty of music about that they will like! I never intended the label to become a vehicle for getting gigs (honest!) but I seem to be getting booked on the strength of my releases, which is nice as I think having good taste in music is 99% of what DJ\u2019ing is about. DJ\u2019ing is nothing to do with making music folks, its simply playing good music.<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F71018566\"><\/iframe><\/p>\n<p><b>MC&#8217;s over freeform &#8211; what do you think?<\/b><\/p>\n<p>I love MC\u2019s full stop! I don\u2019t need them to have a good night at a rave but I listen to a lot of hardcore, drum &#038; bass and garage stuff and the MC can make a set, especially my old tapes I\u2019ve got from back in the day. Fortunately the only MC\u2019s who do regular freeform sets over here are Obie, Macca, Frikshon etc and they know when to talk and when to shut up, plus they love the music. I never understand it when people hate MC\u2019s, I idolised people like Storm, Ribbz, Stevie Hyper D, Sharkey, MC MC, GQ etc when I was younger and when an MC does his job he can really enhance a set. MC\u2019s talking over vocals and breakdowns and doing huge 64 bar lyrics though&#8230;.urgh.<\/p>\n<p><b>Although you are probably best known as a hardcore\/freeform dj, you play a range of styles, like drum n&#8217; bass on this mix &#8211; what&#8217;s your favorite style of music, if you have one?<\/b><\/p>\n<p>I dunno man, it sounds cheesy to say I love everything but I honestly just love good music. I love new and old hardcore and freeform, new and old D&#038;B, most styles of gabber, new and old trance, old garage, all kinds of old skool and everything in between really. I had a great musical upbringing (my Dad is a DJ still playing soul and blues) so I just appreciate it all, as long as it\u2019s good. Saying that, my favourite music to mix is hardcore and drum &#038; bass, I\u2019ve got thousands and thousands of records and I\u2019m running out of space.<\/p>\n<p><b>In terms of this mix, can you talk it through? For example, what&#8217;s the idea behind the track selections, the progression, etc?<\/b><\/p>\n<p>I never really plan a set (unless its going on a CD pack or a big set) so when I record sets at home I just pull out all my favourite records and press record. I know a lot of these tunes off by heart so did a few double drops and stuff, but apart from that I just threw it together really. My DJ\u2019ing is never perfect and I\u2019m hardly Mr Technical but I dunno, I just mix how I\u2019d like to hear them played at a rave! This D&#038;B set doesn\u2019t REALLY progress, it\u2019s just a lot of favourite tracks, but usually I do try and progress a set so it gets harder, deeper, faster&#8230;whatever. My hardcore sets at gigs always do that anyway, I think it\u2019s very important to start somewhere and finish somewhere else when you play a set.<\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/82PU7UMXkqk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><b>What makes this particular era of drum n&#8217; bass stand out for you?<\/b><\/p>\n<p>Well I\u2019m 30, so when I was 15 in 1997 I started going to raves and buying records, so most of my D&#038;B collection is from early 97 to 2002 ish, which co-incidentally I think is the golden period of D&#038;B (I would say that though!). My best memories of D&#038;B raves is 2000-2002 when I got booked at \u2018Technique\u2019 (Simon Bassline Smith\u2019s night in Derby) and me and my mates went to every Slammin, Accelerated Culture etc. Great, messy times with loads of exciting music!<\/p>\n<p><b>Who are your favorite drum n&#8217; bass DJ&#8217;s and producers?<\/b><\/p>\n<p>My favourite DJs of that period were Andy C and Mampi Swift (Mampi\u2019s sets in the early 2000\u2019s were just madness) but I\u2019ve always had a soft spot for Ray Keith\u2019s mixing style and Kenny Ken\u2019s tune selection. When it came to producers, I was a huge fan of Twisted Individual from 1998 onwards and I\u2019ve followed his career for 15 years now, also I loved Bad Company, Total Science, the Hardware stuff, Ed Rush &#038; Optical and of course Ram Records. I used to buy records from Hazard at Music First in 99\/2000 and its been great watching him become a huge player in D&#038;B over the last 10 years, he\u2019s always been a favourite of mine since he made \u2018Year 2000\u2019 and his live sets are something else, 40\/50 tracks in an hour and he really plays everything!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/sonicrampage.org\/guestmixes\/tmpa\/worldheavyweightfreeform.jpg\" alt=\"World Heavyweight Freeform\" align=\"right\"><b>What&#8217;s been your biggest achievement as a dj?<\/b><\/p>\n<p>Definitely playing main room at Uproar in 2004 was the first big achievement, it was amazing playing my first proper big gig to 2,000 people in Coalville. Playing at FINRG in Finland last year was great, playing main arenas to thousands of people at Vibealite was also amazing, I still remember Hixxy sending me a CD full of new Raverbaby promos on the day of the gig and I couldn\u2019t wait to play them! Since then I\u2019ve had a few moments where I\u2019ve not quite believed my luck, getting on HTID, Vibealite &#038; Hardcore Heaven tapepacks and seeing my name next to people like Hixxy, Scorpio, Brisk&#8230;that is a big thing for me because I\u2019ve never been into pop music, when I was 14\/15 DJs were my pop stars and I looked up to them, so to be on the same lineups and class some of them as mates is a big thing for me. Just getting booked regularly is a blessing, as I\u2019ve never made tunes or tried to get bookings by kissing bottoms, just playing the music I like and trying to play cool, different music. The hardcore scene is full of Darren Styles and Gammer wannabes but I\u2019ve always just been a DJ and a fan of solid music, I think that\u2019s a good thing in this modern era of DJ\u2019ing.<\/p>\n<p><b>What do you have in store for 2013?<\/b><\/p>\n<p>The next ReBuild album will be out sometime in the year, so keep a look out for that, plus I might be mixing a popular album series at some point in 2013. I\u2019m releasing an album with a big label at some point too, as I\u2019ve made it my goal to get people working together this year. I\u2019ve got gigs at Uproar, HU and some others coming up but the year is early yet&#8230;we\u2019ll see where it takes me. I\u2019d like to start a family at some point soon so music might take a back seat for a while, but I\u2019m looking forward to label projects already.<\/p>\n<p><b>Finally, thanks for the mix and for answering the questions! Anything more you would like to add?<\/b><\/p>\n<p>If you haven\u2019t heard of me please check out <a href=\"http:\/\/www.facebook.com\/OllyThumpa\">my Facebook<\/a> and <a href=\"http:\/\/www.soundcloud.com\/rebuild_music\">my Soundcloud<\/a> where you can check out mixes, gig info and other stuff. If you haven\u2019t heard of ReBuild Music please check out <a href=\"http:\/\/www.youtube.com\/user\/ReBuildMusic\">YouTube<\/a> and <a href=\"http:\/\/www.discogs.com\/label\/ReBuild+Music\">Discogs<\/a>, unfortunately none of the albums are available now but I release 2 a year and they are always good! I could have littered this interview with wrestling catchphrases but I chose not to, better get some in there! If you smell what the rock is cookin\u2019, Austin 3:16 just whooped your ass, woo woo woo you know it, YES YES YES, can you please shut the hell up? Erm&#8230;that\u2019s about it. Shouts to everyone who knows me, Tansy, my Lichfield boys, the HU boys, HBC boys, all the label fans&#8230;big up bo bo bo bo BOOOOO!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1 hour of banging late 90&#8217;s\/early 00&#8217;s drum n&#8217; bass from Rebuild Music&#8217;s DJ Thumpa! Features tracks by Dillinja, Moving Fusion, Ed Rush &#038; Optical, Total Science, Jonny L &#038; many more &#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[45],"tags":[13,43,179],"class_list":["post-2378","post","type-post","status-publish","format-standard","hentry","category-guest-mixes","tag-drum-n-bass","tag-guest-mix","tag-thumpa"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/2378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/comments?post=2378"}],"version-history":[{"count":19,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/2378\/revisions"}],"predecessor-version":[{"id":6081,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/posts\/2378\/revisions\/6081"}],"wp:attachment":[{"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/media?parent=2378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/categories?post=2378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sonicrampage.org\/blog\/wp-json\/wp\/v2\/tags?post=2378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}